New Year’s resolutions suck. Losing weight, quitting smoking, finding a new job. This practice of resolving is just one of those cruel holiday tricks designed to set you up for next year when you look back over the previous 12 months with regret over all that has been left undone. All the days that have been squandered.
Until this year.
Yes my friends, it is May 21, 2008 and I, Fence Flatley have met my most ambitious goal of the year. Last night, eleven hours ago, guitar in hand, I stepped up onto the stage at Mick’s in Omaha and performed in my first open mic.
Graphic: Clock with second and minute hands twirling counter-clockwise indicating going back in time
The neighborhood of Benson in Omaha is hands down one of the kickiest places I know. In about a six block stretch on Maple Street you can hear some of the best music around for next to nothing. No Ticket Master here baby! The Waiting Room http://www.waitingroomlounge.com/ books great acts like The Von Bondies, The Black Lips, Times New Vikings and The Whigs. The Pizza Shoppe www.myspace.com/pscollective not only has some of the best pizza in town (duh-it’s the Pizza Shoppe dude) but nice local acts and some fine touring groups. There’s a nice coffee shop with the occasional folk singer. And then there’s Mick’s http://www.micksomaha.com/. Renovated in 2003, opened in 2004 this former mortuary that later became the Musette bar and then Mick’s
is one of the best places in Omaha for live acoustic music. Jolie Holland’s been there. Johnny Dowd, Sarah Benck, Matt Whipkey, and on and on. And now Fence Flatley. Mick’s is without a doubt one of the friendliest places you could hope to go for an open mic. The crowd is divided up into those just out for a good time and those who really want to hear some music, so for a first timer like me it would a nice mix. I mean, I’m not quite ready for my audience to be paying attention to every word and note. Too much pressure! And the cool thing is, not only was it an open mic night, but we open mic’ers were essentially the opening acts for some national touring artists who would play later in the evening.
One of the performers, Laura Meyer http://www.laurameyer.net/ out of New York was amazing. Great songwriting and beautiful voice, but most impressive was a truly outstanding command of her guitar. Such clear tone, so well articulated – skillfully incorporating styles from Americana to Mississippi blues into her own unique musical language. Marvelous! I bought a couple of her CDs, Four Corners and Boys & Eros. Of the two I’m drawn to Four Corners simply because it’s just her and her guitar. Like she’s sitting on your couch and playing some songs just for you. Check her out. You’ll be glad you did!
But back to me. J
So, I’ve been thinking all year about when I would do my first open mic. What venue? A coffee shop? I used to frequent the weekly open mic’s at 13th Street Coffee, but I don’t think those are happening anymore. But I kept coming back to Mick’s. A real, professional venue. Could I actually do that? Could I go someplace where people actually went to listen to music? Where that was their priority. My strategy was to go to a few of their open mics. Acclimate myself to the vibe, to the venue. Decided if I would be able to carry it off it I decided to go forward with a performance.
Of course weeks passed and I’d find myself going back to their web site. Oh, hmmm, yes they still do the open mic on Tuesdays. Isn’t that interesting…hmmmm. So yesterday I decided I’d check it out. And, why not bring my guitar…just in case. And set a play list. Just in case. And do a quick run through of a set a home. Just in case.
I got to Mick’s at 8:30 last night. There was a cluster of people at the bar, drinking and having a nice casual time. I saw a few guitar cases laying around, so I knew that there would be some people getting up there. Brian the bartender, who also acted as the open mic organizer brought me my first Nebraska Nut Brown Ale of the night and asked me my name. I replied, “Fence”. “Are you planning on playing tonight?” “Yes” says my disembodied voice. What?!?
Turns out there were these national touring acts that night and Brian told me we would have to squeeze open mics into the beginning. Maybe start a bit early if that was cool. Gulp. I took that to mean he wanted me to play first. And soon. “Yes, that’s cool” says the disembodied voice. “Cool” Brian agrees. I purchase my second Nut Brown Ale of the night and Dane, the sound technician starts setting me up with a mic for my guitar and for my vocals. I learn that I’ve got about 15 or 20 minutes, so I clip down my original 7 song set to 4 and retune my guitar. Dane sets me up really well. He doesn’t know it, but behind my reasonably calm exterior I am clinging to him like he’s a life jacket and I’ve just jumped off the Titanic. He gives me the okay, and I start off with “Octopus’ Garden”. This is one of the first songs I ever learned to play on the guitar. Its one I used to play for my sons when I put them to bed when they were babies. It falls well for my fingers and voice and I know that this will give me a chance to feel the pace of my playing even as the adrenalin pumps into every part of my body. It goes well. I make a stretch for some higher notes and hit them well enough to satisfy me. It’s on! I complete the song to a polite smattering of applause. No eggs or rotten tomatoes have been thrown and I do not have a single twinge of self-loathing. Excellent.
Next up I put on my neck holster for my harmonica and launch into Daniel Johnston’s “True Love Will Find You in the End”. This one always feels good to play. Just a real easy, simple, beautiful, perfect song. Again, I make it through without incident, and even a couple legitimate moments.
Now its time for some original music. I go for “Folk Punk Baby”. Up until that point I wanted people to know that, although I have an unusual voice, I can carry a tune and sing with some facility. Now it was time to crank it out and give ‘em a taste of the folk punk Fence. Now, I let it cut loose and blew a few notes, missed a chord or two and whiffed at a few entrances. But through it all I kept it rolling and I found myself pleased at the result. Sweat was cascading from my forehead at that point and I felt good. Real good.
I closed out with “Too Late”. I’m pretty sure I left out a verse, but I persevered and nobody was the wiser I’m sure.
Note: If you want to hear any of my music click on the One Inch From Midget Link on this page.
I left the stage tired and happy. Just as I hoped I would feel when I made the resolution in the first place. Now, let the drinking and self-congratulations begin!